Category Archives: Visual Art

Review: The Halsey’s Red State Blues

The Halsey Institute of Contemporary Art opened its first exhibit of the new year last Friday with Red State Blues, a showcase of S.C. artists concerned about the current state of politics in the Lowcountry, the Piedmont, and beyond. Kevin Murphy went to see the exhibit. He sent us this review. —J.S.
Bombs hang from the […]

Redux rumors true

Rumors that the Redux Contemporary Art Center is relocating are true, according to Seth Curcio, director of Redux.
But the move won’t occur for a while. Redux’s lease runs through the end of 2009, with a provision made in the contract for an possible one-year extension. Even so, Curcio said, Redux is currently looking for a […]

Attention visual artists: The $10,000 Factor Prize

This just in: Last year saw the creation of the Factor Prize, $10,000 pile of cash judged and administered by the Gibbes Museum of Art. It’s open to all artists, but would it be great if a Charleston artist swept the standings? —J.S.
From the Factor Prize website:
Established in 2007, the Elizabeth and Mallory Factor Prize […]

The politics of public art

The next time someone tells you art is something extra, something to be added to the fundamentals of life, like jobs and education, point this out: the impending fight over the likeness of “Pitchfork” Ben Tillman at the State House in Columbia.
John Monk, a columnist for The State, characterized the politician today as “one of […]

Review: William Christenberry at the Gibbes

This review will be in tomorrow’s paper —J.S.
. . . . .

The Dark Room
William Christenberry’s brilliant photos don’t come to light
. . . . .
With the publication of Let Us Now Praise Famous Men in 1941 with writer James Agee, a classic chronicle of the tribulations facing poor white sharecroppers during the Depression, photographer Walker […]

Journal: Art for Brains

From The Guardian newspaper — J.S. |
Any onlooker fleetingly imagining they spotted a human brain in the flurry of cherubs and drapery swirling around the figure of God as he stretches out a hand to raise Adam to life in Michaelangelo’s famous fresco from the Sistine Chapel would probably conclude there was some malfunction in […]

Screen Printing 101 and Mr. Nick

Be sure to check out Nick Smith’s review of an old-school screen printing show at 52.5. The exhibit, set among racks of CDs and punk ‘zines, runs through Dec. 31. And while you’re at it, Mr. Nick has a new novel out called Undead on Arrival. The official launch party was earlier this month at […]

No Body Home in New Orleans

This piece in today’s New York Times anticipates a piece City Paper will run Wednesday on a photography exhibit by Donna Hurt. Displayed in the new gallery at the Art Institute of Charleston on Meeting and Market streets, Hurt’s show features a couple of dozen photographs (11 inches by 14 inches) that document the carnage […]

A Slideshow of The Eyes of War

Our brilliant web editor Josh Curry built a fantastic slideshow of photographs by Jeremy Lock, Stacey Pearsall, and Jake Bailey, the three Air Force sergeants currently on display at the Center for Photography through the end of the month. The slideshow has dozens of images from Iraq and Afghanistan, and illustrates their experiences in combat […]

Journal: Doctor Satan Echo Chamber

After writing about the Charleston Ballet Theatre’s Seven Deadly Sins, and in particular Jill Eathorne-Bahr’s drawing inspiration for her choreography from the magical fantastical work of representational painter Paul Cadmus (that’s “Lust” to the left), I came across this song. It’s originally by The Specials on the legendary Trojan Records, home of reggae. Last year, […]

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